Last night on Charlie Rose he said his next project is something like Glory... I can't remember, it was late and I was fuked up. He's been writing it for 15 years and has finally figured out how to do it. He said it was so long he almost made it a novel. For some reason I'm under the impression it's a war movie, but i'm prolly totally wrong, mayeb some Tarantino nut here knows.
Oh yeah, I really like Kubrick, Coppola and Eastwood. I've seen some of Hitchcock's movies and enjoyed them as well. I'll have to check out Terrence Malick. And Clint Eastwood is one of my favorites. Unforgiven is his best, IMO but he's also directed some incredible movies recently including Mystic River and Million Dollar Baby.
Have you seen any Coen brothers movies? They did Raising Arizona, Fargo, The Big Lebowski, O Brother Where Out Thou, etc.
Finally someone who apprecitates good movies, Unforgiven is one of favorites all time.
Morons often complain that Malick's films "move too slow" or some crap, but his visuals are always amazing.
I have seen some Coen brothers, I liked Fargo but thought it was a bit over-hyped. O Brother Where Art Thou was awesome though, it was totally original and hilarious. I love that "Man of Constant Sorrow" song.
Last night on Charlie Rose he said his next project is something like Glory... I can't remember, it was late and I was fuked up. He's been writing it for 15 years and has finally figured out how to do it. He said it was so long he almost made it a novel. For some reason I'm under the impression it's a war movie, but i'm prolly totally wrong, mayeb some Tarantino nut here knows.
Yeah it is a war movie that's supposed to be like The Dirty Dozen. He's calling it Inglorious Bastards.
Rodriguez was on Charlie Rose last night; he said they were digital effects.
Robert Rodriguez Interview vs. An Uncited Trivia on IMDB
Yeah, I wonder what's more credible.
Yes they did, I work with film almost daily, trust me.
Rodriguez, regarding scratching the film:
Audiences aren’t supposed to be comfortable with this new film. As part of the game, the two directors have “aged” their movies, adding scratches, dust and dirt to the prints. “That’s part of the lurid quality,” Mr. Rodriguez said. “It feels like it’s a popular film that’s been screened a bunch of times. The texture, all the scratches, makes it look really creepy, like you’re watching something you’re not supposed to, where anything could happen at any moment.”
Re: Grindhouse.
