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Old 01-19-2007, 11:36 PM   #1
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Default Interview With Dame Dash Part 1 of 2

The old adage says, "out of sight, out of mind," but when referring to Dame Dash, that depends on where one looks. After a highly publicized split with his long time Roc partner Jay-Z, the Harlemite seemed to vanish from the public eye that he once stunted in front of. For many, the talk has been that he's washed up, if not struggling. Those speculations couldn't be farther from truth.

On this frosty winter day, Dame is mellowed, suave and relaxed. After dealing with some business, he parks himself comfortably behind his spacious desk in his classy new office digs in Midtown Manhattan. Clearly, life after The Roc has served the Dame well and stepping out of the music business has made a new man out of him. He's firmly rooted himself in the fashion world with the acquisition of Pro Keds and mass production for his new line, C.E.O. Clothing. He's also the producer for a pair of movies currently underway, a trade he picked up while still with Roc-A-Fella Records.

This time the CEO has diversified his working relationships as much as his businesses. Every so often, long time partner Kareem "Biggs" Burke peeps in the office and throws up the peace sign, perhaps a reminder to their union. Biggs and Dame recently launched, an upscale social networking site. Rachel Roy, Dame's wife and emerging fashionista, shares the office space as well as her vast knowledge of couture fashion.

With all seemingly going well, can America's most infamous bottle popping Cakeaholic abandon the rap game for greener pastures in a variety of low-profile niches? Read on. Now, when you left the music business it was definitely not a smooth exit, youíve said it was something that was just ďtakenĒ from you and youíre not the kind of dude to just give something up with easeÖ

Dame Dash: Iíll tell you what I mean by tension. I wasnít anticipating not having Roc-A-Fella Records. Jay was presented with a choice of going and doing what he wanted to do by himself, which was cool with me. But he came back with ďI want to do my own thing, but I also want the brand and I donít want Jay, Damon and Biggs now.Ē That one threw me off because I wasnít expecting that. Was that just a straight show of disloyalty?

Dame Dash: Well you can call it how you see it. Iím asking you how you see it.

Dame Dash: Again, Jayís a Black man, an African-American, and I wish any African-American good luck. Itís not diplomacy, itís about the fact that as a culture, we donít stick together, and thatís the problem. So even if somebodyís scumbagging me, Iím not gonna scumbag them back. I want that dude to be successful so that he can be another ambassador of our community, so that people can say ďOh, a Black kid did his thing.Ē Iím not gonna sit there and say what he did... Iím sure in his mind he thought he was right. Thatís really where it stays. Me, I'm cut from a different cloth; I'm not like that. Everyone can be cut from any cloth that they want, I just choose to be around people from a cloth like myself. That's just how I've been. If you notice, I haven't been too social with too many people in the music business, ever. I don't like the ethic, I don't understand, I'm not from that place. So, to me, what he did to me contradicted what we were promoting to the world as Roc-A-Fellas, and guys that come from a certain place, but to a lot of people, it could be dead right. More power to him, hopefully heís successful and Iím watching him work hard. But me, Iím about this fashion thing. Is it true that he turned down that same offer when Lyor made it?

Dame Dash: I read that in XXL, I know Lyor and I know that if he offered somebody 20 million [dollars], itís not gonna be where youíre not with your friends. From what I know of that scenario, Lyor offered us the deal, Jay was contemplating not doing anything with us anymore. Lyor called me and said, ďYo Dame, I gotta do what I gotta do.Ē So what he told Jay was, ďListen, whether you do a deal with Damon and Biggs or not, weíll still do a deal with you.Ē But I donít think anyone in the world would say, ďHereís 20 million to leave your partners.Ē The music business isnít in such a great state where because you like or dislike someone, you can give them 20 million. If that was the case, I think it would be a little absurd for me to have to read about it as opposed to someone telling my friend that, my friend should come to me like, ďYou know this n***a just offered me 20 million to s**t on yíall.Ē That conversation never came, so if it happened, I donít know. It doesnít really make sense, what I know that did happen was Lyor was like, ďYo, we rolliní with Jay whether he rolliní with you or not.Ē Jay had the opportunity to leave us, and they made it clear that they were still rolliní with him. You have to also remember, when that deal got made and we split ways, I still had the deal with Universal and it was a funded deal. When I got the call like ďYo, your man wants the [Roc-A-Fella] name,Ē I was like, ďThis canít be.Ē When I asked him about it, he was like, ďYo, itís business.Ē But I think what happens is when thereís a distance between you, itís easier to do things because yall are not seeing each other as often. I donít think he coulda did that if I was in his face everyday, but I had other things to do. It is what it is, Iím not really bitter about it because it made it to where I can do other things. What ventures do you have in motion right now.

Dame Dash: Well Iíve kind of decided to focus on fashion, almost the way I was to the music business 10 years ago. I felt like in fashion I could do something very substantial when I started to see how the profit margins were in music as opposed to fashion. Fashionís where the longevity is, also I think with music itís kind of hard to articulate whatís going on in the street if youíre not in the street anymore and you havenít been there in the last 15 years. I really donít know whatís going on, Iím 35 and I donít know if I can relate well to a 15 year old. I consider this my world. The last time I interviewed to you, you were on the movie side of thingsÖ

Dame Dash: Iím still on that. Iím working on two movies, one is the Larry Davis movie and the other one is this movie called The Brooklyn Fight Club. With the Larry Davis story, is that authorized? I read a recent interview with him in jail and he said he was still searching for the people that he wanted to do the movie with and that it wasnít finalized. Can you speak to that a little bit?

Dame Dash: Larryís an interesting dude, and without getting into his business, I wouldnít make the movie unless it in his best interest. No way I would do it without acknowledging anything he had to bring to the table. I believe that he was treated unjustly, so I would never make a movie without his consent. I think the level of his involvement in the movie will be whatever we can do on a legal level. Thereís a lot of laws in place that restrict certain things, without getting too in depth. So he might do another version?

Dame Dash: I donít know what heís gonna do, but I know what I can do. The best I can do for him, I will. But I donít wanna make anything unless itís a masterpiece, especially if it relates to any kind of urban experience because if I make an urban movie and it doesnít check, then it makes it that much harder for anyone else to make an urban movie. Speaking of examples, there was a necessity for a restructuring because things got discombobulated after Jay and getting moved out of Universal. What is the number one different way youíve restructured and attacked your business now that youíve left that side of things?

Dame Dash: Itís just more business, itís a different kind of work ethic. In the music business, thereís no real calendar. In clothing, you have to design things a year ahead of time so that they can be made and sewn. In the music business, you can kind of finish when you feel like it and put things out when you feel like it. Presidents or CEOs or whatever they call themselves are very different. They donít call back, they donít support you. No one does follow-through; people donít work with that pace and tenacity. They just wanna get it done. In the fashion business, itís gotta be done, and itís way more disciplined. Iím actually embracing the evolution and I also feel that if Iím doing one thing at one level for 10 years it kind of gets corny. I feel like there was a time when I had the strongest label on the planet, unless I come back with that, I canít do it. There has to be an evolution, not only would I have to come back with the strongest label, it would have to be better than the strongest label. Arenít you still pushing more artists? Didnít I just hear Sizzla signed to you?

Dame Dash: Sizzla has his own label. I got him the connect, and Iíll work with him and do anything I can. But honestly, Iím not in the day-to-day grind like that, so I wouldnít say heís my artist. I think he is an entity that couldnít be signed. If you look at the power that that man has, it would be hard for me to say heís my artist. I donít really wanna be in the music business, and if I am, I donít really think I want to come out with an artist for a couple of years because I look at artists like a brand and it takes five or six years to nurture and evolve an artist to where the rest of the world knows their point of view and they wanna buy an album for a long period of time. You gotta remember, when I started with Jay, it took him about five or six years to put out a record. Before we put out a record we were on the road four or five days out of the week. The only reason Kanye came out when he did is because he was hitting the road, but I had established the brand Roc-A-Fella by then, so I could put that on somebody and because of that brand, people will pay attention to it. An artist cant come right out, it doesnít happen. Any artist thatís out right now thatís doing well, trust me heís been in the game five or six years before you ever heard of him, working every day all day. I donít have the time or the focus to do that right now, but if I did, Iíd be right there.
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Old 01-19-2007, 11:36 PM   #2
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Default Interview With Dame Dash Part 2 of 2

You read Part One of Dame Dashís exclusive interview with, hereís the fiery Part TwoÖ You said earlier that once you reach a certain point that you have to change, evolve and expand. A lot of the criticism that Iíve heard in relation to you is that it seems like in the past youíve presented success to mean, ďIíve expanded to where White people accept me now, thatís how Iím on a new level.Ē But today, in speaking on your expansion, youíve spoken a lot about African-Americans.

Dame Dash: My take on that is I never asked anybody to give me anything, I earned. When I went into a room, itís not for somebody to cut me a check, itís for me to employ somebody. I didnít want anyone to give me a sneaker deal; I wanted the whole company. When I do that, I donít have to be accepted by anybody. The only thing people accept is red ink and black ink. If youíre in the red, youíre losing. If youíre in the black, youíre winning. Thatís it for me, I went and hired a president I didnít go and look for a president to hire me. I go through with the hat tilted to the side and Iím Dame Dash. I donít wanna have to kiss nobodyís ass to do nothing, ever. Whatís your and Biggsí connection?

Dame Dash: Thatís my best friend. He and I do Block Savvy and Armandale together. Overall, every boss needs a consigliore, and Iím not saying Biggs is my consigliore, but weíre each othersí. Weíre both bosses, and thatís the reason why at Roc-A-Fella, I think everything worked. Heís the only guy thatís from where Iím from that can actually tell me, ďYo Dame, youíre bugginí,Ē and if heís bugginí, I can tell him, ďYo Biggs youíre bugginí.Ē Weíre partners on a lot of things, and weíre both each othersí consigliore on a lot of things as well. Speaking of friends, you appeared on a song with Jim Jones called ďKingdom DoneĒ, going at Jay, which sparked the whole situation which had been bubbling for quite a while anyway between him and Diplomats.

Dame Dash: I donít think that sparked it, but just so you know, I didnít make the record. Iím not an artist, I would never do that. So you werenít dissing Jay?

Dame Dash: Did it sound like I was dissing Jay? No, but it seemed like a co-signÖ
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